*Please note that the scale and unity value varies between imagesĭDMF PluginDoctor was used to analyse the frequency magnitude response of the Sontec for each EQ setting. The eleven settings that were captured are shown in the figures below: Two recordings of an acoustic steel string guitar with no other processing.The end result is a set of files in which the only audible difference should be the Sontec signature. These captures were then processed with a digital plugin EQ using presets carefully matched to the hardware. The source material was also printed through the mastering console with nothing inserted (to remove it as a variable). And so it began…Ī selection of audio was printed through the Sontec at eleven different settings – some were subtle real-world curves while others were quite drastic in order to accentuate any unique qualities that may exist. I asked Matt if it would be okay to dedicate a few hours of studio time to this pursuit – it turned out he was just as curious as I was. I figured that if I could remove all other variables this might be achievable. I found myself thinking I would like to track down this Sontec magic – and isolate it if possible – so I could clearly hear it without any bias. In terms of boxtone, it seemed clean and precise. The stepped knobs have just the right amount of tension and the layout is clear, intuitive and easily read with a glance. The curves can be broad and musical or tight enough for corrective work. Not surprisingly, it was a real pleasure to use. Some engineers have stated that they cannot find another EQ that does what their Sontec does. They are one of the original parametric equalisers and their heritage dates back to the 60s.
People talk about the magic of the Sontec sound – and it would seem this magic is reflected in their price tag. Matt has owned this same model in the past, but for me it was the first time laying hands on one of these legendary EQs. The unit belongs to Tony Mantz aka Jack The Bear and was taking the scenic route home after a sprucing up by JLM Audio. This story starts with a Sontec MES-432C coming for a little visit to Matthew Gray Mastering where I work.
Likelihood that the differences are audible
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